God and Maya Rudolph include the only ones who know when Robert Thomas Anderson will get about to directing another feature, but it’azines not all bad. Days off Paul Thomas Anderson remains to be plenty of fun, accomplishing neat-o stuff like heading to Indian with Radiohead’s Jonny Greenwood for an hourlong documentary with Israeli and Indian musicians, as well as shooting the bull with Quentin Tarantino about The Hateful Eight and the future of video. Losers garden, do jigsaw puzzles, or read books in their spare time; in his spare time, Scott Thomas Anderson chats with the most relevant filmmakers of the day concerning the most exciting new emits.
He had another such chat recently using filmmaker Adam McKay, one-time prince involving sophomoric studio comedies with Will Ferrell and current Academy Award nominee for their blackly satirical jazz riff in corporate greed, The Huge Short.
For The Director’s Reduce, the podcast run from the Directors Guild of America, McKay and also Anderson sat down for any half-hour conversation about McKay’utes newest offering, his transition from easy going fare to the sort of film that asserts for awards, and also the difficulties of having Michael Lewis’ book with the silver screen. The most delicious morsel? Apparently Anderson took an early on look at the script for Anchorman: This Legend of Ron Burgundy, and even considered providing the film just before finding it too madcap, and going on to direct your decidedly un-wacky There Will Be Blood instead. Permanently, it’s an interesting and edifying back-and-forth from your master of modern movie and a veteran who feels like he’s just getting started.